In taking a look at what’s coming up at each years festival, I always like to pick out a few films to focus in on before the start of the fest. Of course, there are no bad films at IFFBoston, but, take a look below – and share what you’re looking forward to in the comments!
The 2015 IFFBoston Lineup is announced! A few days ago we highlighted the opening closing night films, as well as a few spotlights but the full details are in! This year marks the 13th year of the festival, as always its homeless will be at the Somerville Theatre in Davis Sq, as well as screenings …
We’ve been patiently awaiting this years list of selections for the Independent Film Festival of Boston! Late Friday, the festivals newsletter with some exciting details dropped. The festival opens April 22nd with Director James Ponsoldt’s THE END OF THE TOUR. James Ponsoldt will be in attendance. The festival runs through the 29th, closing with AND EARL AND …
Steven Knight joins the audience at the Independent Film Festival of Boston to talk about his film LOCKE, starring Tom Hardy. Great insight into the filmmaking process, for those who haven’t seen the film, there are some light spoilers in the end of the video. Read our full review here.
It’s more than volleyball. 9-Man is an intense sport, utilizing some of the rules of volleyball, its a street sport that started in China, and became popular in immigrant Chinese communities in the United States.
For many students entering film school, “The Filmmaker’s Handbook” is their first purchase at the bookstore. Essentially a bible for film students, this “The Filmmaker’s Handbook” was co-written by Ed Pincus, the main subject of the movie “One Cut, One Life.” An intimate and personal film, “One Cut, One Life” is filmmaker Lucia Small’s story …
The simple act of reading a plot description can easily skew your predisposition one way or the other. Going into a film with the bare minimum of understanding can occasionally yield fantastic results. The film landscape is a varied one, and the deluge of blockbusters are merely a screen blocking some decidedly different fare.
In this excerpt, the filmmakers behind Print the Legend are joined on stage with the founders of Formlabs to talk about the documentary following its screening at IFFBoston 2014.
Following the screening of DEAR WHITE PEOPLE at IFFBoston Justin Simien talks about his film, how he used twitter to workshop a character, and more in this excerpt from the festival’s Q&A. Read our full review of DEAR WHITE PEOPLE here.
I’m fascinated by risks in broadcast television. Probably because it isn’t something you see too often. Television is an expensive medium and despite investments; It’s completely supported by advertisers, and it is hard to justify any risk taking without the fear of losing your investors. In “Life on the V: The Story of V66,” the …